On October 14, Aalto-Musiktheater opera in Essen, Germany, premiered a new production of Bedřich Smetana’s The Bartered Bride in which numerous Czech artists were involved. Apart from conductor Tomáš Netopil, who currently works as the general music director of the theatre, tenor Richard Samek starring as Jeník, scenographer Martin Chocholoušek and costume designer Simona Rybáková it was also … Read more…
On October 14, J. K. Tyl Theatre in Plzeň presented with great success a world premiere of Jakub Jan Ryba, first and as yet last opera by composer Miroslav Kubička (*1951). The piece is based on Josef Bouček’s successful 80s play The Shepherds’ Night about the cruel fate of the composer and schoolmaster who is today known often only as the … Read more…
In co-production with Opéra de Montréal, Pacific Opera Victoria in the capital of British Columbia, Canada, presented a new production of Janáček’s Jenůfa. It was directed by the internationally acclaimed film director of psychological dramas Atom Egoyan, famed, among others, for Academy Award-nominated The Sweet Hereafter, Exotica (awarded a Golden Palm of Cannes) or the erotic thriller Chloe. Egoyan set the story … Read more…
The penultimate concert of this year’s MusicOlomouc contemporary music festival belonged to the Phace Ensemble (Austria). On October 9 in the Corpus Christi Chapel of the Art Centre of Palacký University, they performed five pieces including a premiere by Petr Bakla. Last Piece (Mostly stepwise) for clarinet/bass clarinet, violoncello and piano was written on the festival’s commission. The programme … Read more…
The fourth concert of this year’s MusicOlomouc festival took place on October 8 in the Corpus Christi Chapel of the Art Centre of Palacký University. It introduced Lichtzwang, Olomouc-based chamber ensemble founded last year, joined by Hungarian pianist Nóra Füzi. The concert presented the premiere of a new piece by Ostrava-based “classical” cimbalom player and composer Daniel … Read more…
The second day of MusicOlomouc festival offered a concert of German chamber vocal ensemble AuditivVokal Dresden. Its members, in the Atrium of Art Centre of Palacký University, performed a program consisting exclusively of 21st-century music, including the world premiere of Hláskopelní a špitocudní by pianist, composer and the festival’s director Marek Keprt (*1974). Keprt wrote it especially for this ensemble. During … Read more…
The 9th year of Olomouc-based international contemporary music festival MusicOlomouc was started on October 2. Its second concert, held at the theatre hall of the Art Centre of Palacký University, introduced Aleph Gitarrenquartett, which is a guitar quartet specializing in new music. The ensemble performed, among others, the world premiere of František Chaloupka’s (*1981) Guitar Quartet No. 1 “The … Read more…
The BERG orchestra gave world premiere to a new piece by one of the most successful Czech composers of the young generation, Jan Ryant Dřízal. Lekce Váchal for countertenor and orchestra was performed on September 25 at the hall of the Masaryk Dormitory in Dejvice, Prague. The title refers to the composition’s two main sources of inspiration: Lekce Faust, … Read more…
As the last production of the 2017 season, the New Zealand Opera presented Leoš Janáček’s Katya Kabanova. It was in a highly acclaimed production by Australian director Patrick Nolan premiered this February in Seattle (for more information see: https://blog.musica.cz/en/articles/detail/811 ). Founded in 2000, the New Zealand Opera produces three shows each year which are then played in multiple places. Katya Kabanova … Read more…
On September 13, the South Czech Philharmonic opened its 37th season with a concert at the Theatre Hall of Metropol, České Budějovice. A part of it was a world premiere of a new piece by composer and accordionist Jiří Lukeš. As the title suggest, Bukolika was inspired chiefly by commonly occurring natural phenomena (rain, wind, fog…). The author argues, however, … Read more…
National Theatre Brno opened this year’s season by releasing Rules for Good Manners in the Modern World, an original Czech opera by composer Michal Nejtek and librettist Jiří Adámek, who is also the director. The piece is based on Jean-Luc Lagarce’s (1957-1995) drama for a solo actress, which introduces the spectators to the etiquette rules, as established in the … Read more…
Next commission for the internationally acclaimed Ondřej Adámek came from BCMG, Birmingham Contemporary Music Group. They invited him to join their Canal Serenade on Narrow Boats project, a celebration of Birmingham canals and their busy trade history. On September 10 then, what was being exchanged on those boats were not goods but musical ideas… Three composers … Read more…
Theater Magdeburg in the capital city of the state of Saxony-Anhalt, Germany, put on Dvořák’s Rusalka as the first premiere of this year’s season. The production’s author is an experienced British opera director Stephen Lawless, who has collaborated with MET, Berlin State Opera or Royal Opera House Covent Garden, among others. His Rusalka is not a fairy tale, but a harsh “coming … Read more…
Held on September 4 in the Domovina hall in Holešovice, Prague, the first autumn concert by BERG orchestra was named “Surya Namaskar”, which means Sun Salutation. That was because the evening’s dominant theme was yoga, specifically as presented by composer and multi-instrumentalist Tomáš Reindl (*1971) in his premiere piece Yoga for Guru, Orchestra and Yogis. Commissioned by the … Read more…
A part of the 15th year of music and environment Baltic Sea Festival, which was held during the last week of August in Stockholm, was a world premiere of a new piece for choir by composer Martin Smolka. The Name Emmanuel was written on the festival’s commission and was performed on August 27 at the Berwaldhallen concert hall by the … Read more…
One of the most eagerly anticipated events of this year’s Ostrava Days was undoubtedly the first Czech performance of Miroslav Srnka’s chamber opera Make No Noise. Written for five voices, thirteen instruments and electronics, the work was commissioned by the Bavarian State Opera and last time performed in August 2016 at the Austrian festival Bregenzer Festspiele. The libretto by … Read more…
The fifth day of the Ostrava Days presented a concert of the festival’s residential orchestra Ostravská banda held at the Triple Hall Karolina. Led by four different conductors – Petr Kotík, Joseph Trafton, Bruno Ferrandis and Carl Bettendorf – the ensemble played a program consisting of nine compositions, none of which was more than 15 years old. One of them … Read more…
As would be expected, the 10 days and 22 concerts of the 9th year of the contemporary music biennale Ostrava days included several Czech premieres. From those by Czech authors they were first of all the chamber Nothing is Free by Petr Cígler, September by Petr Bakla and The Long Sentence II by Michal Rataj. All of them were performed during … Read more…
The ongoing Bard SummerScape festival, held for the 15th time at the Bard College campus some 180 km north of New York, focuses this time primarily on the work of Fréderic Chopin. That is why the choice of the opera to be produced this year fell on a Poland-themed work, the seldom performed Dimitrij by Antonín Dvořák. The author of the … Read more…
At the fifth of eight concerts of Podkrkonošské hudební léto festival, world premiere was given to Mosaics, a piece for violin, clarinet and piano by composer Kateřina Horká (*1993). A young student of the Academy of Performing Arts in Prague wrote it in autumn 2016, encouraged by the festival’s directress, violinist Ludmila Pavlová. The 15-minute-long piece in 3 movements was … Read more…