On 1 April, Oper Frankfurt introduced their new production of Leoš Janáček’s last opera From the House of the Dead. It was created by Italian conductor Tito Ceccherini and German-French director David Hermann, who had for the last time worked with Janáček’s music only two years ago, directing The Makropulos Affair in the renowned Deutsche Oper Berlin. … Read more…
On 28 and 29 March in St Anna’s Church, České Budějovice, the South Czech Philharmonic presented the world premiere of Concerto for Oboe and Orchestra by the Budějovice-born composer and guitarist Lukáš Sommer (*1984). The solo part was performed by a leading Czech oboist Vilém Veverka. The four-movement concerto was a perfect choice for the Easter time – optimistic, … Read more…
„How to talk about the terrors and inhumanity of the Nazi period to kids? And how to speak about those whose names have never made it to historical literature?” These are the questions Landestheater Linz was trying to answer in their new production of Hans Krása’s children’s opera Brundibár premiered on 31 March. Conductor Martin Braun and … Read more…
After 45 years, Leoš Janáček’s Cunning Little Vixen returned to the stage of Theater Hagen, North Rhine-Westphalia. The premiere on 24 March has already received a very positive critical response. The praise has concerned mainly the direction by Mascha Pörzgen, who perfectly balanced both levels of the story – a beast fable and an allegorical drama – and the performance of … Read more…
Conductor Will Humburg concluded his three-year-long Janáček cycle at Staatstheater Darmstadt with a new production of The Makropulos Affair. The theatre’s general music director is already an expert when it comes to the Moravian composer; apart from Jenůfa and The Cunning Little Vixen in Darmstadt, he had also conducted Katya Kabanova a couple of years ago in Bonn. The directress Eva-Maria Höckmayer tried to depict especially the … Read more…
On 9 March at the Morat-Institut in Freiburg, ensemble recherche, top-class German contemporary music ensemble, gave world premiere to String trio no. 2 by Czech composer Petr Bakla. In the 2017 piece, the author asks the players to produce “an objective, pure sound”, devoid of any interpretational stereotypes, one he has since long found to be the “most … Read more…
For the first time in its history, the Royal Opera House in Covent Garden, London, presented From the House of the Dead, the last opera by composer Leoš Janáček. Created in co-production with Brussels’ La Monnaie theatre and Opéra National de Lyon, the performance is remarkable for the involvement of several Czech and Slovak singers; apart … Read more…
“… Impressions and Touches in the Soul…”, this year’s first concert by the Konvergence composers’ association, took place on 5 March in the Church of St Lawrence in Lesser town, Prague. It presented, among others, the premiere of Doteky milosrdenství (The Touches of Mercy), a new piece by a well-known Brno-based composer Pavel Zemek-Novák. The programme also included La Mandragore (Tristan Murail), Ambre … Read more…
On 3 March, Theater Koblenz (Rhineland-Palatinate) presented a new production of Leoš Janáček’s Cunning Little Vixen. As the director Alexander von Pfeil put it, he had decided to focus not only on the depiction of the natural world, but also on revealing the Kafkaesque traces of the opera. The conductor is the theatre’s music director and chief conductor … Read more…
On 3 March, Oper Wuppertal in North Rhine-Westphalia presented a new production of Bohuslav Martinů’s Julietta. It was the historically first performance of the composer’s operatic masterpiece in Western Germany. The production was created by an Israelian directress Inga Levant, who had already worked on The Tales of Hoffmann in Wuppertal this year. In Julietta, she once again focused on … Read more…
60 years after its Russian premiere, the Stanislavsky Theatre in Moscow put on a new production of Jenůfa, Leoš Janáček’s most famous operatic work. Sung in Russian, the piece was premiered on 28 February. The creative team was led by the theatre’s long-standing collaborators, director Alexander Titel and conductor Evgeny Brazhnik. Alternating in the leading roles are Elena Bezgodkova and Elena Guseva (Jenůfa), … Read more…
One of the fifteen premieres of Oper Köln’s 2017/18 season is The Emperor of Atlantis. A one-act opera, composed by Viktor Ullmann in 1943 in the Theresienstadt concentration camp, received its premiere on 24 February on the modern, glass-fronted stage at Offenbachplatz. The production was created by a house team consisting of directress Eike Ecker and conductor Rainer Mühlbach. … Read more…
The South Czech Philharmonic presented Vrstvení (Layering), a new piece by composer and top-class cymbalist Daniel Skála (*1981). It was performed on 21 and 22 February in the church of Saint Anna, České Budějovice, under the direction of Marek Prášil. “The title of the piece refers to the main principle of composition I used here,” Skála said. “Instead of melodies and … Read more…
As a part of their 49th season, the Czech Chamber Philharmonic Orchestra Pardubice introduced Little Words, a new song cycle by composer and the orchestra’s former music director Marko Ivanović (*1976). The piece attracted the attention of the Prague Spring festival, too; that is why the audience in the Suk Hall of Pardubice’s Dům hudby on 19 February had a chance … Read more…
One of the nine opera performances Staatstheater Kassel (Hesse) produced this year was Janáček’s Jenůfa. The sold-out premiere which took place on 10 February was preceded a few days earlier by a public talk introducing not only the most famous of Moravian composers and his music but also the background of the Kassel production. The opera was directed … Read more…
On 4 January, PKF – Prague Philharmonia gave world premiere to an orchestral version of YIN – Nostalgia and Hope by composer Ondřej Štochl (*1975). Its chamber version for vibraphone and 12 instruments had been premiered 2 years ago in Brno; just like then, the solo part was now played again by the excellent Martin Opršál. The orchestral transcription maintained … Read more…
Led by their artistic director Pavel Šnajdr, the Brno Contemporary Orchestra on 31 January in Besední dům, Brno, presented the first of the two concerts commemorating and celebrating the 100th anniversary of the founding of Czechoslovakia. It was named FROM CZECHOSLOVAKIA and the programme consisted of new pieces by Petr Bakla, Luboš Mrkvička and Marián Lejava … Read more…
On 31 January in the Smetana Hall of the Municipal House, the Prague Symphony Orchestra FOK gave world premiere to Concerto for oboe and orchestra by Jiří Gemrot (*1057). Just like his Trio for oboe, harp and piano, the composer dedicated it to a leading Czech oboist Vilém Veverka. “The first attribute I would think of is ‘lyrical’,” the … Read more…
On 28 January, Opéra National de Lorraine in Nancy, Eastern France, presented a new production of Janáček’s Katya Kabanova. It was created by German opera director Philipp Himmelmann who decided to highlight the tragic nature of the story; the spectators are thus even offered handkerchiefs upon entering. The music director is an Irish conductor Mark Shanahan. Popular … Read more…
On 18 January in the St Agnes Convent, violoncellist Petr Nouzovský and accordionist Ladislav Horák gave premiere to Introduction and Tango, a new piece by composer and choirmaster Petr Fiala (*1943). The concert was a part of the chamber series held by the Prague Symphony Orchestra FOK. The two-part composition was written directly for these two leading Czech instrumentalists, … Read more…