On June 27 the Prague-based Alfred ve Dvoře Theatre premiered an experimental opera performance The Lists of Infinity by a composer Martin Smolka. This performance directed by Jiří Adámek, who is also the author of the libretto, is in fact a new version of a piece composed 2 years ago on a commission for the New Opera days Ostrava (NODO) … Read more
The opening evening of the New Opera Days Ostrava (NODO) biennale, which was held between the 27 and 30 June, offered a world premiere of William William, an opera by a composer and the festival’s artistic director Petr Kotík (*1942). The performance took place in the industrial milieu of the Hlubina coal mine. William William is, as the author … Read more
On June 11 the Theater Mönchengladbach (North Rhine-Westphalia, Germany) saw a premiere of Janáček’s opera Katja Kabanowa which was last played here 26 years ago. The story of one of the composers’s strongest female characters was put on stage by a team composed almost exclusively of women – from the scenographer and wardrobe supervisor, past the dramaturge to the choirmistress, … Read more
For the first time in its history, Teatro Real in Madrid staged a new production of Viktor Ullmann’s Emperor of Atlantis (1943). Dramaturgically the premiere was a part of the theatre’s special programme series of works composed mostly by Jewish authors in the 1930s and 1940s. Apart from the main attraction, Arnold Schönberg’s Moses and Aaron, the series also included … Read more
On May 28 one of Bohuslav Martinů’s operatic masterpieces, Juliette (1937-38), was performed, for the first time in the theatre’s history, at the Staatsoper Berlin. The all-star cast includes the Czech mezzo-soprano Magdalena Kožená in the title role of Juliette and Rolando Villazón as Michel; the conductor is the Staatsoper’s musical director Daniel Barenboim. Much of the attention … Read more
On April 30 the Theater für Niedersachsen in Hildeshaim, Lower Saxony, gave premiere to a new production of Bedřich Smetana’s The Bartered Bride. It was created by Guillermo Amaya, a Spanish director who currently holds the post of the theatre’s chief stage director, and conducted by its music director Werner Seitzer. The leading roles are sung by the Spanish … Read more
On 30 April the Theatre Trier, Germany, launched for the first time in its history one of Leoš Janáček’s less frequently played operas The Excursions of Mr. Brouček (1920). The production was created by Jasmina Hadziahmetovic, a Germany-based director of Bosnian origin who has collaborated as an assistant director with several renowned institutions such as Komische Oper … Read more
On 29 and 30 April two performances of Janáček’s Cunning Little Vixen at Les Quinconces theatre in Le mons, France, closed the production’s tour organized by the Paris-based opera house Arcal. The company’s aim being to bring high-quality opera performances to regions where these are otherwise not particularly easy to find, the ensemble’s mission consists of travelling through the … Read more
Antonín Dvořák’s Rusalka was performed in South Korea for the first time in history on 28 April in a new production by Korean National Opera. Its cast includes exclusively Korean singers, which is in a country suffering from a lack of qualified opera artists a very unusual phenomenon. Two leading Korean sopranos alternate in the tite role of Rusalka – … Read more
This year’s winner of the Opernwelt magazine’s ‘Opera House of the Year’ award, Oper Frankfurt, launched a new production of Leoš Janáček’s The Cunning Little Vixen as its 10th premiere of the 2015/2016 season. Owing to the last century’s environmental disasters no longer being able to perceive the forrest as the ‘wonderfully beautiful’ place as sung by the Forester in … Read more
