Premiered on 2nd February, the historically second production of Dvořák’s Rusalka at the Metropolitan Opera in New York meets with very mixed reactions. The critics cannot seem to agree in their opinion both on Mary Zimmerman’s direction and the singers’ performance. Who gets mostly enthusiastic reactions is the American mezzosoprano Jamie Barton in the role of Ježibaba; some, … Read more
Saarländisches Staatstheater in Saarbrücken, the capital of the state of Saarland, Germany, opened its 2017 opera season with a premiere of Janáček’s Katja Kabanowa. Written in 1921 and based on A. N. Ostrovsky’s play The Storm, the opera got performed here for the first time in history. The premiere took place on January 14. The director Ben Baur set … Read more
Thirty years since the last performance, Viktor Ullmann’s Emperor of Atlantis returned onto the stage of the Theater an der Wien in Vienna. The new production of this one-act opera, composed in 1943 in the Theresienstadt ghetto, was premiered on 11 January on the Kammeroper scene. The director is Rainer Vierlinger, the theatre’s long-standing collaborator for whom … Read more
On 17th December, Theater Erfurt (Thuringia, Germany) presented a new production of Bedřich Smetana’s Bartered Bride. It was conducted by the theatre’s second kapellmeister, Greek conductor Zoi Tsokanou. Rather than to experiment, director Markus Weckesser chose to set the story, very traditionally, into a Bohemian village, the atmosphere of which is enhanced by the realist scenography and costumes. The central pair … Read more
Staatsoper Hannover chose to present Bedřich Smetana’s The Bartered Bride as one of their productions for the 2016/2017 season. The premiere took place on 29th October and there are ten more performances to follow. The production was directed by Martin G. Berger, young German director celebrated especially for his radical production of Strauss’ Die Fledermaus (also … Read more
The 71st year of the Bregenzer Festspiele festival (Vorarlberg, Austria) presented a new production of Make No Noise, chamber opera by a renowned Czech composer Miroslav Srnka. Directed by Johannes Erath, it was performed on 17 and 19 August in the modern Werkstattbühne hall. Commissioned by the Bavarian State Opera, Make No Noise was written in 2011 … Read more
Savonlinna Opera Festival, held between July 8 and August 6 in Savonlinna in the south-east of Finland, presented From the House of the Dead (1928), the very last opera by Leoš Janáček. The premiere took place on July 23 in a curious location of the medieval Olavinlinna castle. The production is a famous one, created by David … Read more
A new production of Jenůfa by Leoš Janáček is one of the four performances played at Longborough Festival Opera this year. Held between June 9 and August 4, this festival offers what is referred to as “country house opera” experience, which means that the works are performed at remote country houses. In addition to the … Read more
Five performances of Bohuslav Martinů’s Mirandolina were held at the renowned Teatro La Fenice (Venice) in the first half of July. Directed by Gianmaria Aliverta, this opera from 1953-54 based on a comedy La Locandiera (The Mistress of the Inn) by Carlo Goldoni (1707-1793) was this time set into a present-day wellness centre of a modern hotel. The conductor is … Read more
NODO – New Opera Days Ostrava presented a world premiere of Protracted Sinuous Movement of a Longitudinal Object , an opera by a composer and scientist Petr Cígler which was written directly for the festival. The performance took place on June 29 at the Antonín Dvořák Theatre. Petr Odo Macháček’s libretto explores the relations between a woman, a man, and a rattlesnake in a common … Read more
