On October 14, J. K. Tyl Theatre in Plzeň presented with great success a world premiere of Jakub Jan Ryba, first and as yet last opera by composer Miroslav Kubička (*1951). The piece is based on Josef Bouček’s successful 80s play The Shepherds’ Night about the cruel fate of the composer and schoolmaster who is today known often only as the … Read more
In co-production with Opéra de Montréal, Pacific Opera Victoria in the capital of British Columbia, Canada, presented a new production of Janáček’s Jenůfa. It was directed by the internationally acclaimed film director of psychological dramas Atom Egoyan, famed, among others, for Academy Award-nominated The Sweet Hereafter, Exotica (awarded a Golden Palm of Cannes) or the erotic thriller Chloe. Egoyan set the story … Read more
As the last production of the 2017 season, the New Zealand Opera presented Leoš Janáček’s Katya Kabanova. It was in a highly acclaimed production by Australian director Patrick Nolan premiered this February in Seattle (for more information see: https://blog.musica.cz/en/articles/detail/811 ). Founded in 2000, the New Zealand Opera produces three shows each year which are then played in multiple places. Katya Kabanova … Read more
National Theatre Brno opened this year’s season by releasing Rules for Good Manners in the Modern World, an original Czech opera by composer Michal Nejtek and librettist Jiří Adámek, who is also the director. The piece is based on Jean-Luc Lagarce’s (1957-1995) drama for a solo actress, which introduces the spectators to the etiquette rules, as established in the … Read more
Theater Magdeburg in the capital city of the state of Saxony-Anhalt, Germany, put on Dvořák’s Rusalka as the first premiere of this year’s season. The production’s author is an experienced British opera director Stephen Lawless, who has collaborated with MET, Berlin State Opera or Royal Opera House Covent Garden, among others. His Rusalka is not a fairy tale, but a harsh “coming … Read more
One of the most eagerly anticipated events of this year’s Ostrava Days was undoubtedly the first Czech performance of Miroslav Srnka’s chamber opera Make No Noise. Written for five voices, thirteen instruments and electronics, the work was commissioned by the Bavarian State Opera and last time performed in August 2016 at the Austrian festival Bregenzer Festspiele. The libretto by … Read more
The ongoing Bard SummerScape festival, held for the 15th time at the Bard College campus some 180 km north of New York, focuses this time primarily on the work of Fréderic Chopin. That is why the choice of the opera to be produced this year fell on a Poland-themed work, the seldom performed Dimitrij by Antonín Dvořák. The author of the … Read more
The 59th year of the Smetana’s Litomyšl music festival (Jun 16 – Jul 6) thought about its youngest spectators, too. It was for them that the festival staged a children opera performance Rusalenka by a well-known singer, pedagogue, and directress of the Prague children’s opera Jiřina Marková-Krystlíková (*1957). Commissioned by the festival, the work is based on Dvořák’s most famous opera. The … Read more
Less than two weeks after the Brundibár premiere in Staatstheater Kassel, a new production of this children opera by Hans Krása was put on on another German opera scene, namely the one of Theater Trier in Rhineland-Palatinate. The piece, performed more than 55 times with the deported children in the Theresienstadt ghetto where the author eventually died, was … Read more
Staatstheater Kassel presented a new production of Hans Krása’s famous Brundibár. The 1938 opera, once sung by children of the Theresienstadt ghetto, was rehearsed by a children choir Cantamus where the soloists were recruited from, too. They were accompanied by the TJO, Theater-Jugendorchester, which is an ensemble formed by talented instrumentalists aged 12-20. The show is a solo debut by … Read more
