One of the most eagerly anticipated events of this year’s Ostrava Days was undoubtedly the first Czech performance of Miroslav Srnka’s chamber opera Make No Noise. Written for five voices, thirteen instruments and electronics, the work was commissioned by the Bavarian State Opera and last time performed in August 2016 at the Austrian festival Bregenzer Festspiele. The libretto by … Read more
The fifth day of the Ostrava Days presented a concert of the festival’s residential orchestra Ostravská banda held at the Triple Hall Karolina. Led by four different conductors – Petr Kotík, Joseph Trafton, Bruno Ferrandis and Carl Bettendorf – the ensemble played a program consisting of nine compositions, none of which was more than 15 years old. One of them … Read more
As would be expected, the 10 days and 22 concerts of the 9th year of the contemporary music biennale Ostrava days included several Czech premieres. From those by Czech authors they were first of all the chamber Nothing is Free by Petr Cígler, September by Petr Bakla and The Long Sentence II by Michal Rataj. All of them were performed during … Read more
As a herald of this year’s Ostrava Days festival, a special concert took place on 25th April in the completely sold out Bohemian National Hall of the Czech Center New York. Together with The Orchestra of the S.E.M. Ensemble, the festival’s director Petr Kotík presented a unique program consisting of works by composers of AACM (Association for the Advancement of … Read more
