Jiří Kadeřábek: Duel II (world premiere)

Only a few days after the premiere of No Man at The National Theatre in Prague, the internationally acclaimed composer Jiří Kadeřábek enjoyed another great success on the Czech scene. On 16 November in Rudolfinum’s Dvořák Hall, PKF – Prague Philharmonia, led by Jakub Hrůša, presented his Duel II which was composed on the orchestra’s commission. As the title … Read more

Miroslav Srnka: move 03 (world premiere)

A new orchestral composition by Miroslav Srnka received its premiere on 2nd April during the 34th year of Printemps des Arts de Monte-Carlo music festival which is taking place between 17th March and 8th April 2017. Srnka is no newcomer to the festival; his music was played here already in 2011 and 2014. Written on … Read more

Jiří Kadeřábek: No Man (world premiere)

On March 31, the New Stage of the National Theatre in Prague introduced the long-awaited premiere of No Man, opera by composer Jiří Kadeřábek (*1978). It was watched by a sold-out stage where the spectators were seated; the auditorium, this time, was the place of action. The tragic life story of sculptor Otakar Švec who, against … Read more

Zdenek Merta: Movimento vivo (world premiere)

Movimento vivo, piano trio by Zdenek Merta (*1951) received its world premiere on March 28 in the Church of Sts. Simon and Jude in Prague. it was performed by Trio Martinů at a chamber concert organized by the Prague Symphony Orchestra FOK. Merta started working on the piece already in early 80s, but, due to his … Read more

František Lukáš: Flames of Memories (world premiere)

At their last subscription concert, the South Czech Philharmonic gave world premiere to Flames of Memories, an orchestral piece by composer and concert guitarist František Lukáš (*1977). The evening took place on 23rd March at the Theatre hall of the Metropol congress centre. The other pieces on the program included the famous Piano Concerto No. … Read more

Darmstadt: Jenůfa

On Saturday 4 March, Staatstheater Darmstadt premiered a new production of Janáček’s Jenůfa. Its author Dirk Schmeding belongs to experienced Janáček-directors; he directed Jenufa already three years ago at Landestheater Detmold and his first work in Darmstadt was The Cunning Little Vixen. His co-workers from the latter production included other members of the present creative team – stage … Read more

Santa Barbara: The Cunning Little Vixen

One of the four operas presented this season at Opera Santa Barbara, California, is Janáček’s Cunning Little Vixen. The new production by Crystal Manich, which is dedicated to both adult and children spectators (which is also one of the reasons why it is sung in an English), received two performances – on 3rd and 5th March at … Read more

Hong Kong resonated with the music of Janáček and Dvořák

One of the ensembles performing at the 45th year of the prestigious international Hong Kong Arts festival (Feb 16 – Mar 18) was the ensemble of the National Theatre Brno. HK Cultural Centre’s Concert Hall, which can host nearly 1,600 visitors, saw them perform four times altogether – twice it was Janáček’s opera The Makropulos Case, then his Sinfonietta, Eternal … Read more

Seattle: Katya Kabanova

On 25th February, Seattle Opera in Washington, USA, premiered a new production of Leoš Janáček’s Katya Kabanova. The Australian director Patrick Nolan, debutant at this opera house, did not set the story into the tsarist Russia, but into a small American town in the 50s. The heroine is thus presented as a modern woman rebelling against the patriarchal environment … Read more

Seattle: Katya Kabanova

On 25th February, Seattle Opera in Washington, USA, premiered a new production of Leoš Janáček’s Katya Kabanova. The Australian director Patrick Nolan, debutant at this opera house, did not set the story into the tsarist Russia, but into a small American town in the 50s. The heroine is thus presented as a modern woman rebelling against the patriarchal environment … Read more