Ostrava Days. Miroslav Srnka: Make No Noise (Czech premiere)

One of the most eagerly anticipated events of this year’s Ostrava Days was undoubtedly the first Czech performance of Miroslav Srnka’s chamber opera Make No Noise. Written for five voices, thirteen instruments and electronics, the work was commissioned by the Bavarian State Opera and last time performed in August 2016 at the Austrian festival Bregenzer Festspiele. The libretto by … Read more

Dimitrij at the Bard SummerScape

The ongoing Bard SummerScape festival, held for the 15th time at the Bard College campus some 180 km north of New York, focuses this time primarily on the work of Fréderic Chopin. That is why the choice of the opera to be produced this year fell on a Poland-themed work, the seldom performed Dimitrij by Antonín Dvořák. The author of the … Read more

Jiřina Marková-Krystlíková: Rusalenka (world premiere)

The 59th year of the Smetana’s Litomyšl music festival (Jun 16 – Jul 6) thought about its youngest spectators, too. It was for them that the festival staged a children opera performance Rusalenka by a well-known singer, pedagogue, and directress of the Prague children’s opera Jiřina Marková-Krystlíková (*1957). Commissioned by the festival, the work is based on Dvořák’s most famous opera. The … Read more

Trier: Brundibár

Less than two weeks after the Brundibár premiere in Staatstheater Kassel, a new production of this children opera by Hans Krása was put on on another German opera scene, namely the one of Theater Trier in Rhineland-Palatinate. The piece, performed more than 55 times with the deported children in the Theresienstadt ghetto where the author eventually died, was … Read more

Kassel: Brundibár

Staatstheater Kassel presented a new production of Hans Krása’s famous Brundibár. The 1938 opera, once sung by children of the Theresienstadt ghetto, was rehearsed by a children choir Cantamus where the soloists were recruited from, too. They were accompanied by the TJO, Theater-Jugendorchester, which is an ensemble formed by talented instrumentalists aged 12-20. The show is a solo debut by … Read more

Miroslav Srnka’s South Pole in Darmstadt

Less than a year and a half since its premiere at the Bavarian State Opera, South Pole, opera by Miroslav Srnka, made its appearance again, this time in a new version on the stage of Staatstheater Darmstadt. The story of two polar expeditions competing in their quest to be the first ones ever to reach the South Pole … Read more

Ekaterinburg: Rusalka

For the second time in its history, the Ekaterinburg State Academic Opera and Ballet Theatre staged Antonín Dvořák’s Rusalka. The production, premiered on May 19, was created by a Czech-Slovak team led by director Tomáš Pilař, current head of the opera ensemble of the J. K. Tyl Theatre in Pilsen, and Ekaterinburg’s music director Oliver Dohnányi. The other … Read more

Jiří Kadeřábek: No Man (world premiere)

On March 31, the New Stage of the National Theatre in Prague introduced the long-awaited premiere of No Man, opera by composer Jiří Kadeřábek (*1978). It was watched by a sold-out stage where the spectators were seated; the auditorium, this time, was the place of action. The tragic life story of sculptor Otakar Švec who, against … Read more

Darmstadt: Jenůfa

On Saturday 4 March, Staatstheater Darmstadt premiered a new production of Janáček’s Jenůfa. Its author Dirk Schmeding belongs to experienced Janáček-directors; he directed Jenufa already three years ago at Landestheater Detmold and his first work in Darmstadt was The Cunning Little Vixen. His co-workers from the latter production included other members of the present creative team – stage … Read more

Santa Barbara: The Cunning Little Vixen

One of the four operas presented this season at Opera Santa Barbara, California, is Janáček’s Cunning Little Vixen. The new production by Crystal Manich, which is dedicated to both adult and children spectators (which is also one of the reasons why it is sung in an English), received two performances – on 3rd and 5th March at … Read more