On 28 January, Opéra National de Lorraine in Nancy, Eastern France, presented a new production of Janáček’s Katya Kabanova. It was created by German opera director Philipp Himmelmann who decided to highlight the tragic nature of the story; the spectators are thus even offered handkerchiefs upon entering. The music director is an Irish conductor Mark Shanahan. Popular … Read more
On 15 January, the renowned Quatuor Diotima presented a new piece by Miroslav Srnka. The concert was a part of Biennale de Quatuors à cordes, a festival of string quartets held by the Philharmonie de Paris. Future Family analyses the traditional distribution of musical roles between the players as well as other conventions typical for a string quartet and explores … Read more
After forty years, Antonín Dvořák’s Rusalka returned onto the stage of Oper Leipzig, Germany. The new production by Dutch director and scenographer Michiel Dijkema was premiered on 3 December. Focusing on the fairy-tale archetypes of the tragic story, Dijkema crated a mysterious, eerie scenery on the stage, including the lake and moon on a night sky. Most of the … Read more
Miroslav Srnka, the most successful Czech composer today, was the main star of DIALOGE 2017, contemporary music festival held by the Salzburg Mozarteum Foundation. Forming the dramaturgical basis of the festival, his music was being performed several times over the 4 days – as the festival’s name suggests – in dialogues with other contemporary, classical, electronic or film … Read more
Less than three years since Jenůfa, Theater Aachen in Aachen, Germany, presented another of Leoš Janáček’s operas – Katya Kabanova. The premiere took place on November 12, led by the theatre’s current music director Justus Thorau. The production was created by the Czech-born director Tibor Torell who presents the story as chain of visions of the heroine, who thus … Read more
On November 11, Theater Bremen, Germany, presented a new production of Dvořák’s Rusalka. Directed by Anna-Sophie Mahler, it became already the fourth opera featuring a strong female lead she staged in Bremen, following Carmen, Maria Stuarda and, five years ago, Janáček’s Makropulos Affair. Mahler set the plot into the rooms reminiscent of the socialist Czechoslovakia of the 70s and instead of on the … Read more
Premiered this spring at the National Theatre in Prague, Jiří Kadeřábek’s opera No Man moved over to Bremen, Germany, native town of the production’s directress Katharina Schmitt. Here, it was performed twice, on November 7 and 8 as a special part of the festival of contemporary German literature Festival für grenzüberschreitende Literatur. No Man tells the tragic life story of … Read more
On October 14, Aalto-Musiktheater opera in Essen, Germany, premiered a new production of Bedřich Smetana’s The Bartered Bride in which numerous Czech artists were involved. Apart from conductor Tomáš Netopil, who currently works as the general music director of the theatre, tenor Richard Samek starring as Jeník, scenographer Martin Chocholoušek and costume designer Simona Rybáková it was also … Read more
In co-production with Opéra de Montréal, Pacific Opera Victoria in the capital of British Columbia, Canada, presented a new production of Janáček’s Jenůfa. It was directed by the internationally acclaimed film director of psychological dramas Atom Egoyan, famed, among others, for Academy Award-nominated The Sweet Hereafter, Exotica (awarded a Golden Palm of Cannes) or the erotic thriller Chloe. Egoyan set the story … Read more
As the last production of the 2017 season, the New Zealand Opera presented Leoš Janáček’s Katya Kabanova. It was in a highly acclaimed production by Australian director Patrick Nolan premiered this February in Seattle (for more information see: https://blog.musica.cz/en/articles/detail/811 ). Founded in 2000, the New Zealand Opera produces three shows each year which are then played in multiple places. Katya Kabanova … Read more
